Wednesday, August 8, 2012

Robert & Iain - Alliance



Here's a really nice late-60s folk duo LP on Metronome from French singer-songwriter Robert Lelièvre (later to lead the Danish band Pan and tragically commit suicide in 1973) and Scottish folksinger Iain Campbell. On this album, Robert contributes a number of moody original songs sung in French, often performed unaccompanied. Iain contributes a wider-ranging but less-striking group of mostly-original material for his vocal performances, including a live-and-let-live hippie anthem, a song commemorating the Aberfan mining disaster, a Hank Williams cover, and some fairly straight-ahead British Isles folk-style material. Highly-recommended listening.

Demain [mp3]
Full Album [zipped folder]

Monday, July 23, 2012

Jim Alexander - Western Troubador

Discovered in a Texas thrift store, this early-1980s album by obscure Oklahoma artist Jim Alexander contains a potent, idiosyncratic mix of country/folk-rock, easygoing psychedelia, and mystical lyrics such as "Now let me tell you what the facts is / The earth is spinning on its axis / So until the time of Abraxas let's / Dance, dance children dance" and "I till mental ground with vibration and sound for you." 



This copy includes a warm inscription from Jim Alexander to fellow-musician "Jimmy" on the front cover, ending "you too are a Western Troubador."

Full Album [zipped folder]





Thursday, July 19, 2012

Kay Dennis

Second post: an interesting LP from Kansas City lounge singer Kay Dennis, who seems to have rounded up an effective bunch of local musicians at Cavern Studios to record her debut (and only?) LP of jazzy pop covers. According to this Cavern Custom Records discography, Pearce Records was a vanity imprint of Cavern Sound Studios of Independence, Missouri, along with Cavern Custom Records and Cave Records. Cavern Studios was located in an actual cave, according to information provided by area musician Bob Theen to garagehangover.com.

Kay Dennis' LP is especially notable for a groovy 7:45 cover of the Doors' "Light My Fire" and a great drum/clapping break on a cover of the Bacharach/David composition "Walk on By." The rest of the album is also a very enjoyable listen, apart from Dennis' histrionics on closer "Impossible Dream," which are charming in their own (extremely irritating) way, clawing the listener back to harsh reality after  a pleasant half hour spent with Kay and the boys.



Walk on By [mp3]
Full Album [zipped folder]

Full Up No Vacancy

Time for a new blog! We won't promise to update this at any particular interval. There may be another post tomorrow, or maybe not until next week, next month, or even next year. All we will promise is that when there is a post, it'll be pretty cool. Also we expect that the design will improve over time, but we're itching to get started so here's the first post.

Here's what this blog is based on: We're both the kind of people who will drive an hour at 7 AM on Saturday morning, with hangovers, to dig through every filthy record in a box ridden with mouse excrement in a house full of outhouse-themed knick-knacks in some godforsaken Texas town. Sometimes we even find some good records that way. Sometimes those records are really unusual. This blog exists to document these unusual records, or anything else we find that seems worth mentioning. So today we bring you....... Dwayne and Melba Miller of Boles, Arkansas!

These two records were uncovered in a closed, unlabeled cabinet in an antique mall in Elgin, Texas:







These two LPs on Gospel Melody Records possibly represent the entire published recorded output of Dwayne and Melba Miller of Boles, Arkansas. The musical style is sort of a rough, homemade-sounding electric county gospel with some pretty raw vocal harmonies, a questionably-tuned piano, and a quirky sense of timing, meshing perfectly with the amazing hair, the crouching person in a Satan costume, the blood splatters, the motel-sign-themed religious lyrics of the Dottie Rambo-penned "Full Up No Vacancy," and three song titles in a row beginning with the word "Satan." Shekinah Glory continues the trend with more great hair and background imagery of the sun breaking through clouds in a cartoony style reminiscent of Terry Gilliam's Monty Python animations. Notably, all of the songs on Shekinah Glory are credited to "D. Miller," while almost all of the songs on Country Gospel are covers. Possibly reflecting the home-grown authorship, the songs on Shekinah Glory tend to be a little quirkier than on its predecessor. For example, check out Satan's own laughing steel guitar on "Satan, I See You're Back again."

Scanning the internet didn't turn up much info on these folks. A blog entry from 2008 speculated that the cover of Dwayne and Melba Sing Country Gospel was based on the Louvin Brothers' album Satan is Real, and Dwayne and Melba do include a great cover of that song, along with numerous other Louvin Brothers songs, on the album. Unfortunately, I also found Melba's obituary, which indicated that she had died in 2008, and had worked in the Waldron, Arkansas Wal-Mart for 18 years. The obituary does not mention these records, but does say that she was an accomplished musician and had published six books. These two records stand as testimony to the fact that, at some point in the late 1960s or early 1970s, Dwayne and Melba Miller were really on a roll.


Dwayne and Melba Sing Country Gospel:
Full Album [zipped folder]


Shekinah Glory:
Full Album [zipped folder]